Abstract | Keywords | Export | Availability | Bookmark

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972-1976, when materials were collected from oral and written sources.

Wayang --- Shadow shows --- Music, Dance, Drama & Film --- Drama --- Chinese shadows --- Gallanty-shows --- Shadow pantomimes and plays --- Shadow plays --- Shadow puppet plays --- Shadow puppetry --- Shadow theater --- Wajang --- Wayang plays. --- Puppet plays --- Puppet theater --- Puppets and puppet-plays --- Indonesian drama --- Javanese drama --- Wayang. --- Shadow shows. --- Indonesia --- indonesia --- Bali --- Balinese language --- Bima --- Dalang (puppeteer) --- Gendèr --- Holy water --- Javanese people --- Lakon language --- Pandu